September 20, 2009

September 10, 2009

August 17, 2009

Adaptación a los cambios

Una compañera de curso nos envió este video para relajarnos un poco. Buenísimo. ¡Que lo disfruten!

July 14, 2009

July 10, 2009

July 07, 2009

NUEVAS TENDENCIAS DE APRENDIZAJE EN LA RED WEB 2.0

TRABAJO PRÁCTICO DE INTEGRACIÓN: ACTIVIDAD DIDÁCTICA PARA EL AULA

ÁREA DE CONOCIMIENTO: Lengua extranjera (Inglés)
Esta actividad también puede desarrollarse en lengua castellana u otra lengua extranjera.

NIVEL: Post-intermedio a avanzado. Esta actividad fue diseñada para alumnos en empresas. Se puede aplicar a alumnos de escuelas secundarias (4to y 5to año).

CANTIDAD DE ALUMNOS: Grupos de hasta 4 alumnos.


TEMA: Comunicación escrita: Mensajes electrónicos (e-mails)

METODOLOGIAS A UTILIZAR:

Trabajo en equipos colaborativos de cuatro integrantes.
Búsqueda de información guiada en Internet (webquest).
Utilización de herramientas web 2.0 (GoogleDoc en formato Power Point).
Publicación de trabajo final en Slideshare.

OBJETIVOS:

Una vez desarrollada esta unidad temática, los alumnos estarán capacitados para:
1) Redactar emails profesionales y efectivos para el ámbito laboral
2) Preparar presentaciones Power Point aplicando técnicas recomendadas
3) Utilizar algunas herramientas colaborativas de la web 2.0

ACTIVIDADES:

1. Los alumnos formarán equipos de trabajo colaborativos de cuatro integrantes.

2. Cada grupo designará a un coordinador para su equipo de trabajo.

3. Todo alumno deberá abrir una cuenta en gmail y enviarle sus datos al coordinador.

4. Cada coordinador creará un documento colaborativo en línea en GoogleDoc en formato Power Point e invitará
a sus compañeros de equipo y al profesor del curso, quien también deberá tener una cuenta en gmail, a trabajar colaborativamente.

5. Cada equipo visitará los sitios recomendados para la búsqueda de información (webquest), y seleccionará los contenidos e ideas que considere importantes para la elaboración del trabajo final.

6. Cada equipo trabajará en forma colaborativa en la elaboración de una presentación Power Point de 10 diapositivas utilizando la herramienta GoogleDoc en línea.

7. Cada coordinador publicará el trabajo final corregido por el profesor en Slideshare y enviará invitaciones a sus compañeros de curso para que visiten el sitio y dejen comentarios.

8. Todo alumno bajará a su PC el trabajo colaborativo realizado por su equipo en formato pdf para su posterior impresión y archivo en su carpeta de clase.

9. Todo alumno dejará comentarios en las presentaciones subidas a Slideshare por los integrantes de los restantes equipos de trabajo.

EVALUACIÓN:

1. Los alumnos será evaluados por su participación grupal e individual en la realización de la presentación correspondiente a su equipo y por el feedback brindado al resto de los equipos.

2. Los alumnos y los equipos serán evaluados por su comprensión del tema, poder de síntesis y correcto uso de la lengua inglesa.

LOGROS A OBTENER Y BENEFICIOS PEDAGÓGICOS:

Se espera lograr efectividad en la comunicación oral y escrita y beneficiarse con el uso productivo de los recursos ofrecidos por la web 2.0.













Estimados alumnos:

A continuación se detallan las actividades que deberán realizar en la presente unidad temática: Writing Effective E-mails (La redacción de correos electrónicos efectivos). Para ello, deberán agruparse en grupos de cuatro integrantes y formar equipos de trabajos efectivos.

1. ¿Qué es un equipo de trabajo efectivo? ¿Quiénes lo integran? ¿Cómo se organizan? ¿Cómo se comunican? ¿Cómo logran sus objetivos? Pensarán y compartirán las respuestas a estas preguntas y luego verán los siguientes videos que representan equipos de trabajo encontrados en la naturaleza.

http://www.youtube.com/watch?v=JDnMt8K11GU

http://www.youtube.com/watch?v=C5F59sQU5oI

2. Organizarán su equipo de trabajo y designarán un coordinador quien se encargará de crear un documento colaborativo en línea en GoogleDoc. Cada integrante del equipo deberá informar al coordinador cual es su dirección electrónica en gmail. Si no posee una cuenta deberá crear una. El coordinador invitará a cada participante a colaborar en la edición del documento. Invitará también al profesor del curso.

3. Una vez recibida la invitación para trabajar en GoogleDoc investigarán cómo se usa la herramienta. Buscarán en la sección “ayuda” los tutorials que indican las funciones básicas a utilizar. También cuentan con el siguiente video en You Tube llamado “Introduction to Google Presentation” (Introducción a las Presentaciones de Google):

http://www.youtube.com/watch?v=n3zRtKm7wzA&feature=channel_page

4. Realizarán en forma individual el siguiente cuestionario: “What’s your e-mail personality?” (¿Cuál es su tipo de personalidad de correo electrónico?)

http://quiz.ivillage.co.uk/uk_work/tests/emailpersonality.htm

5. Reflexionarán en cada grupo sobre los resultados obtenidos y procederán a organizarse para la lectura y visualización del material de estudio sobre los temas “How to Write Effective Emails & Etiquette” Deberán analizar los puntos más importantes de cada material, compararlos, sintetizarlos y sacar conclusiones para decidir en forma conjunta cuáles son las características de los correos electrónicos efectivos. Cuentan para ello con el siguiente material en forma de texto o video:

http://www.powerhomebiz.com/vol11/email.htm

http://blog.guykawasaki.com/2006/02/the_effective_e.html

http://www.mindtools.com/CommSkll/EmailCommunication.htm

http://www.googobits.com/articles/356-the-essentials-of-writing-effective-emails.html

http://www.youtube.com/watch?v=EZc3yXpnwz8


http://www.youtube.com/watch?v=887bWEduy8I

http://www.youtube.com/watch?v=9NPkftKr0x8

http://www.emailreplies.com/

http://www.albion.com/netiquette/corerules.html

http://www.youtube.com/watch?v=bNKR3LhlzSM

6. Procederán a ver el video que recomienda los pasos a seguir para preparar una buena presentación:

http://www.youtube.com/watch?v=liQLdRk0Ziw

7. Crearán una presentación en Power Point utilizando el nuevo documento colaborativo en GoogleDoc. La presentación estará compuesta de 10 diapositivas que deberán reflejar el trabajo de investigación realizado.

8. Una vez finalizada la presentación, el coordinador le avisará al profesor que se encuentra lista para su corrección.

9. La presentación corregida será subida por el coordinador a Slideshare desde donde invitará al resto del curso a visitarla. El profesor le enviará instrucciones al coordinador explicando cómo subir la presentación a Slideshare.

10. Los alumnos verán las presentaciones realizadas por los otros equipos en Slideshare y dejarán sus comentarios.

Les deseo éxitos en sus trabajos y espero disfruten de esta actividad.

Atentamente,

Prof. Ana Sclerandi

June 27, 2009

Cinderella: Thier Story Home - Cinderella: Thier Story

I was analysing blogs as part of an assignment for a course on new technologies I'm currently taking, when I happened to come across this wonderful wiki created by Nik Preachey: http://cinderella-their-story.wetpaint.com/

It's really amazing the so many things you can do today with tools such as this.

You can visit Nik at: http://nikpeachey.blogspot.com

Cinderella: Thier Story Home - Cinderella: Thier Story

Shared via AddThis http://cinderella-their-story.wetpaint.com/

May 30, 2009

About licences & rights

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Copyright does not protect the facts or ideas underlying the creative expression. So, Creative Commons licenses do not apply to ideas, factual information or other non-creative elements that are not protected by copyright. If you are based in the US, you can find out more about what is and is not capable of copyright protection at this site. If you are based in the UK, visit this site. If you are based in Taiwan, the relevant statutory provisions are Articles 9 and 10bis. Other countries may also have different rules, and you should check them before applying a Creative Commons license to your works.

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If you are the creator of the work, then you are most likley the owner of copyright and so can license the work how you wish. If you made the work as part of your employment, then your employer may own the rights to the work, in which case only your employer can decide to apply a Creative Commons license. If you made the work under an agreement, you need to check the terms of that agreement to see if the rights to the work were transferred to someone else.


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How does a Creative Commons license operate?


Creative Commons license are based on copyright. So they apply to all works that are protected by copyright law. The kinds of works that are protected by copyright law are books, websites, blogs, photographs, films, videos, songs and other audio & visual recordings, for example. Software programs are also protected by copyright but, as explained in the FAQ, we strongly recommend that you do not apply a Creative Commons license to software.


Creative Commons licenses give you the ability to give express permission for others to use your copyrighted works—such as the right of others to copy your work, make derivative works or adaptations of your work, to distribute your work and/or make money from your work. They do not give you the ability to restrict anything that is otherwise permitted by exceptions or limitations to copyright—including, importantly, fair use or fair dealing—nor do they give you the ability to control anything that is not protected by copyright law, such as facts and ideas.


Creative Commons licenses attach to the work and authorize everyone who comes in contact with the work to use it consistent with the license. This means that if Bob has a copy of your Creative Commons-licensed work, Bob can give a copy to Carol and Carol will be authorized to use the work consistent with the Creative Commons license. You then have a license agreement separately with both Bob and Carol.


Creative Commons licenses are expressed in three different formats: the Commons Deed (human-readable code), the Legal Code (lawyer-readable code); and the metadata (machine readable code). You don’t need to sign anything to get a Creative Commons license—just select your license at our ‘License’ page.


One final thing you should understand about Creative Commons licenses is that they are all non-exclusive. This means that you can permit the general public to use your work under a Creative Commons license and then enter into a separate and different non-exclusive license with someone else, for example, in exchange for money.


What if I change my mind?


This is an extremely important point for you to consider. Creative Commons licenses are non-revocable. This means that you cannot stop someone, who has obtained your work under a Creative Commons license, from using the work according to that license. You can stop offering your work under a Creative Commons license at any time you wish; but this will not affect the rights associated with any copies of your work already in circulation under a Creative Commons license. So you need to think carefully when choosing a Creative Commons license to make sure that you are happy for people to be using your work consistent with the terms of the license, even if you later stop distributing your work.


For some creators and/or licensors, this is not an important issue. And most educators who put their their educational resources online do so with the idea that they will be widely shared. But if you depend on controlling the copyrights in your resources for your livelihood, you should think carefully before giving away commercial rights to your creative work. For example, many musicians have discovered that offering work for noncommercial use can be quite rewarding. But anything beyond that requires careful consideration. We all admire generous souls. But if you want to be generous, we want you to think carefully about it before you are.

Be specific about what you are licensing

You need to be specific about exactly what you are CC-licensing when you apply the Creative Commons license to your work. We give you the option of identifying the format of the work in the metadata (text, audio, video, image, interactive) and you should use this. This enables more precise machine-readable language.


However, you should also think about exactly which elements of your work you are licensing. For example, in the case of a website, are you licensing just the text and images? Or also the stylesheets and the code that run the site? Similarly, if you make CC-licensed music available for download on your site, does the Creative Commons license apply to both the musical composition and the sound recording as well as any artwork and graphics at your site? And remember, as discussed under “2. Make sure you have the rights” above, you need to make sure you have the rights to each element that you license under a Creative Commons license.


Take a moment to think about exactly what you are intending to license and then frame your metadata and legal notice accordingly, eg. “All images at this site are licensed under a Creative Commons [insert description] 2.5 license.”

Are you a member of a collecting society? If so, does it allow you to CC-license your works?

You need to check with your society. Currently, many of the collecting societies in Australia, Finland, France, Germany, Luxembourg, Spain, Taiwan and the Netherlands take an assignment of rights (or in France what is called a “mandate” of rights that nonetheless has the same effect practically as an assignment) from you in present and future works (so that they effectively become the owner of these rights) and manage them for you. So if you are already a member of a collecting society in one of these jurisdictions, you may not be entitled to license your work yourself under a Creative Commons license because the necessary rights are not held by you but by the collecting society. Please also read the FAQ on the website of the Creative Commons project team for your jurisdiction for more information about this issue in your jurisdiction.


Creative Commons is reaching out to collecting societies in those jurisdictions where this problem arises to try to find a solution that enables creators of content to enjoy the benefits both systems offer.


If you encounter difficulties with using Creative Commons licenses because of your membership in a collecting society in your jurisdiction that is not listed above, please let either your country’s Creative Commons’ project team know or email info@creativecommons.org. Also, if you wish to discuss ways to try to deal with the situation in your country please contact your country’s Creative Commons’ project team.


If you are already a member of one of these collecting societies, feel free to encourage your collecting society to give you the option of Creative Commons licensing.